Prepositions
Prepositions are words used with nouns, noun
phrases(I gave the book to Charlie.), pronouns (I gave it to him.) and gerunds
(Charlie devotes his time to reading.) to
express a relationship between one person, thing, event and another.
Form
Simple prepositions consist of one word (at, from, in,
to, into...)
Complex prepositions consist of more than one word.
Most of
these are in one of the following categories:
adverb or preposition + preposition (along with, as for, away from, out of, up to)
verb/adjective/conjunction + preposition (owing to, due to, because of)
Preposition + noun + preposition (by means of, in comparison with, in front of)
Stress
Monosyllabic prepositions are
normally unstressed.
(There’s someone at the door. = no stress
on "at.")
Polysyllabic prepositions are
normally stressed.
In complex prepositions, the stress falls on the word preceding the final
preposition. (be'hind the 'wall)
Position
Prepositions
normally precede nouns, pronouns or gerunds but there are some circumstances in
which the prepositions move to the end of the sentence:
1. In wh-questions
(Who were you talking to? - informal. To whom were you talking? - formal. Which
house did you leave it at? - informal. At which house is he
staying? - formal) It used to be thought ungrammatical to end a sentence
with a preposition, but it is now regarded as fully acceptable.
The
meaning
Most prepositions are polysemantic, comprising a
variety of meanings. The meaning of the preposition is determined by
the meaning of the noun before which the preposition stands or on which
depends. So, prepositions indicate various relationships between words or
phrases, the most usual being those of time, place and mental or emotional
attitudes.
Position
and movement
Local relations are expressed by prepositional
phrases denoting position in a place or movement with respect to a destination.
There is a cause-and-effect relationship to them. (direction = Tom went to the door -> as a result -> Tom was at
the door = position)
The principal prepositions used to
express place are: in, at, on, upon, by,
beside, near, before, in front of, behind, beyond, over, under, beneath, below,
amidst, among, between, within, without, out, outside, around, round.
We can consider position in place in
relation to a point
(at the cinema), a line = a place we think of in terms of length
(across/along/on a border/river/road),
a surface
= a place we think of as a flat area (across/off/on
a table/floor/wall/ceiling), area or volume = a place which can enclose (in/into/out of/outside/within a
room/ship/car/factory) and direction (to,
towards, into, along, through, across, on, by, before, over, round, under, out
of, from - We ran out of the building.)
A single place (e.g. river) can be
viewed from different angles: We went to the river = a point. Greenwich is down the river = a line. The
paper boat floated on the river = a surface. We swam in the river = an area or
volume.
Time
Time
expresses temporal relations like a point or period of time, answering the question When?
(in, at, on, of, by, near, before, after,
past, over, beyond, between, within, during, for - He became ill during the
night. I shall see him at four o’clock. We camped there for the summer.)
The point of time
at which the action starts or terminates, answering the question Since when?
(from, since, into, till, until - We slept until midnight.)
AT : Exact
time (at 10 o'clock), meal times (at lunch time), other points
of time (at noon, at midnight), festivals (at Christmas; at Easter), age
(at the age of 27)
ON: Days
of the week (on Monday), dates (on June 1st), anniversaries
(on your birthday; on your wedding day),
festivals (on Christmas Day; on New Year’s Day)
IN: Parts
of the day (in the evening), months (in March), years (in 2000), seasons (in spring), centuries (in the 19th century).
Abstract
relations
Manner (The task was done in a diligent manner.)
Means or instrument (I go to work by bus/train/car. Someone had broken the window with a
stone.)
Purpose or cause (Do it for your own sake. He’ll do anything for money. Because of her,
he did not move to another city.)
Conjunctions
Conjunctions have no independent
meaning of their own, but serve to connect words and clauses. This connection
is brought about either by way of co-ordination or subordination.
Coordinating
conjunctions
1. Copulative conjunctions denote
that one statement is simply added to another: and, both ... and; not only ... but also, and then, as well as, neither
... nor. (I make the payments and
keep the accounts. The fur coat was both soft and warm. The fur coat was soft as well as warm. He can
neither read nor write.)
2. Disjunctive
conjunctions denote separation: or,
or else, else, either ... or, neither ... nor. (Take
this book or that one. Either my answer or yours is wrong. Neither your answer
nor mine is right.)
3. Adversative
conjunctions suggest contrast: but, still, while, whereas, yet, in
spite of. (The coat was thin but warm. The car was quite old; yet/still...)
4. Causative-consecutive conjunctions: so,
for, therefore, thus, hence, consequently. (Our cases were heavy, so we took a taxi. There is fog at Heathrow; the
plane, therefore, has been diverted.) FOR
gives the reason for something that has already been stated (We rarely stay in hotels, for we can’t
afford it.) Unlike because, it
cannot begin a sentence and the subject must be repeated after for.
Subordinating
conjunctions
They are
used to introduce:
1. Noun clauses:
that, if, whether. (He said that he would help us. I will come
if you want me.)
2. Some conjunctions have more than
one meaning and may introduce more than one type of clause. For instance
that-clause can occur as a subject (That
she is still alive is a consolation) or a direct object (I told him that he was wrong.)
Interjections
An interjection
is a word or sound used to express surprise, anger, pleasure or some other
sudden feeling or emotion. It is important because of its high frequency in
spoken language and represents the most primitive type of utterance.
Emotional interjections express
the feelings of the speaker.
Ah! expressing surprise or satisfaction (Ah! It is you?)
Oh! expressing pain or surprise (Oh, how cold it is!)
Alas! expressing sorrow, disappointment = běda! (Alas, we must part!)
Imperative interjections show the
will of the speaker to the hearer
Hush! did you not hear the sound? (=
pst! šš!)
Primary interjections are not derived from other parts of
speech. Most of them are simple words (ah,
oh, eh, hush). Only a few primary interjections are composite (hey-ho! holla-ho!)
Secondary interjections are derived from other parts of
speech: well, now, here, there, come, why, dear me.
There,
see that bird! (= hele…)
There,
I told you so! (= no, inu…)
Why,
you didn’t even see him! (= Vždyť vy jste ho přece ani neviděli!)
Why,
how do you do! (= no tak, tak tedy…)
Imitations
of sounds
Among interjections are included
imitations of sounds such as mew, swish,
blast, boom. These words do not name the sounds produced by animals or
things but imitate them.
The dividing line is thin between
interjections and exclamations (Good! Bravo! Shame! Nonsense!
Stop! Shame on you!)
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